All Hypertexted by Machines of < 3ing Grace

I like to think (and

the sooner the better!)
of a                                                                                       

like pure water
touching clear sky.

I like to think

(right now, please!)

of a cybernetic forest
filled with pines and electronics
where deer stroll peacefully

past computers

as if they were flowers

with spinning blossoms.

"I like to think

(it has to be!)

of a cybernetic ecology
where we are free of our labors
and joined back to nature,
returned to our mammal
brothers and sisters,
and all watched over
by machines of loving grace."

Source text: "All Watched Over By Machines of Loving Grace" by Richard Brautigan. 

I'm a runner now. Yeah.

Hey you should check out mah other blog, about how I decided I'm a runner and all the hilarity that entails. http://justtoseeifican.blogspot.com/ DO ITTTT. And tell your friends.

When There is Nowhere Else to Go, You Can Only Keep Going.

I move further from cities,
pass open fields,
smell hay and wildflowers.
My hair strikes my face and flutters.

On this empty stretch of 101
a frail shape,
insignificant in the distance,
blocks the road.

I watch your graceful,
already lifeless body
approach
on the narrow highway;
start looking for the shoulder,
beg my boyfriend to swerve.

Pull over.
Stop.
A deer, Mike—

The undercarriage rattles like an earthquake.
You hit the front fender
and your broad downy neck shatters.

I feel your soul roar beneath me.

Your hooves splay unresponsive.

The car leaves a rose petal trail of blood behind as we drive on.

I sit silent for miles, stiffened hand to my lips,
praying to a god I don’t believe in.

I try to find forgiveness
for disturbing you
in your delicate afterlife.

I spend the rest of the drive trying
to hold my mortality
within my sickened stomach.

WTF happened to this tree: A belated blog post.

Once there was a tree with a terrible case of sympathy pains. When a nearby elm was cut down it howled and screamed with the ferocity the elm itself could no longer manage. When a cat used the tree’s mother as a scratching post, the little tree felt scratches up and down its trunk for weeks.

One day someone walking by happened to mention, “Wow, I can’t believe it’s been 30 years since Mount Saint Helens erupted. Have you seen the trees up there? Just decimated, man, absolutely wiped out, grey, all leaning one direction… phew. It’s quite a sight.”

The little tree was terrified. It started to shake just thinking of that arboreal carnage. Its branches wobbled like jello and all its leaves fell to the ground. It grew pale, sickened by the destruction it had just heard about, and the once brown skin of the tree faded to a ghostly grey. A small wind blew and the tree, fearing the worst, imagining clouds of ash barreling past it at unparalleled speeds, bent to the wind and could not muster the strength to get up.

That is the story of the little tree that looks like it went through hell.

Impersonal Houses

1. Identity Crisis

Just weeks after I left for college, my parents moved out of the home I grew up in—the home they raised two children in. They left our quiet little street in Seattle, where I learned to walk, skinned my knees, rode my bike up and down the sidewalks…

They moved to a cul de sac in Everett, where every house is grey and every driveway obscured with children’s toys. The streets wind in senseless but aesthetically pleasing ways, joining 82^nd Avenue with 82^nd Street and 82^nd Drive, or something equally confusing. All the streets have the same perfect hedges, the same glowing doorbells at night. I’ve been there dozens of times and still don’t know the way because every house looks like my parents’ house. There are no homes there. I know it’s a tired cliché, but I can never go home again.

2. Substitutes

I once had an approximate home in the Brick:House, a concert venue on Golden Gardens Beach in Seattle. I volunteered there for a few amazing years of my teenage life. It was ancient and scuffed up; we filled it with flea ridden couches and duct tape signs, ate bags of chips and drank hot apple cider. We met bands and formed bands ourselves and went running through the waves in between sets. Then the parks department remodeled it so that people could hold ugly wedding receptions in an ugly concrete room on an ugly grey beach—Seattle’s approximation of a beach. When we re-opened for concerts almost no one came back. My homes away from home after that were wherever I was with whoever my boyfriend was at the time: a traveling source of comfort, familiarity, and love. An approximate husband for my approximate home.

3. Housemates, Never Homemates

There were the hipster girls, fresh out of high school, who did nothing but smoke pot, listen to music, and draw all over everything. I wasn’t at the house much when I lived with them, which wasn’t long at all. When my grades came in the mail they opened the letter, drew on it, and said I couldn’t have it back.

Next was the guy who liked to seem easy-going with his video games and bong, but was really uptight about keeping the kitchen spotless and not having too many people over. When his girlfriend visited and they had sex, my boyfriend and I had to stuff a towel in our air vent (which ran directly from his bedroom to ours) because her must-be-faking-it screams of ecstasy drowned out all conversation. I shifted around uncomfortably, coughing as she got ever louder.

There were the (ex?)drug addicts who still owe me hundreds of dollars in utilities. They thought their marriage was so fucking special even though their room smelled like cat and ferret piss and they fought all the time, their screams rising through the floor boards and he beat her and she cheated on him.

4. Windows

The view from a window is an extension of the house, or home. You don’t own what you see, but you own the precise way you see it. A good friend of mine—Lily, it was you—had a bay window in her dad’s apartment, on something like the thirty-second floor of a building in downtown Seattle. When I sat in that bay window, there was nothing below me except about thirty other bay windows and the city sidewalk 300 feet down. The wind rattled against the glass as if to warn me not to be foolish enough to sit there, dangling thirty-two stories up. Inside, though, with the dusty pink curtains, it was like being on the ground floor of an old home. I could imagine looking out over a lawn, wildflowers sprawling over rocks and tree roots. I don’t really remember the real view—I was nine or so—but I think it might’ve been Puget Sound.

5. Homemaking

There should be a point of clarification between homeless and houseless. There are millions of people who don’t feel at home in the space they occupy, as they wander around their impersonal houses.

I can go for months at a time without a home. I always have a dwelling, a place to sleep or do homework—which is in itself an impossible task if one doesn’t have a home to work in, as it then becomes housework. (I don’t know what that makes chores then, if homework is housework. Maybe that explains why my sink is always full of dirty dishes.) It’s just that I often don’t feel at home in my residence, for one reason or another. I have to pay rent; I don’t own the house. It’s too cluttered in this small space; I can’t breathe. I know homelessness this way.

I’ve outgrown everything that clothed the walls of my old bedroom; I am not that person anymore, but I haven’t grown into someone else. I feel stuck in a transition between homes, a move that is taking far too long. My surroundings don’t look like home to me. They could be anyone’s house. I don’t have the money or, more importantly it seems, the willpower to change the aesthetics of the place I live. Aside from ownership, aside from the quantity of possessions filling the house, what must make it a home for me in the end is visual. I can’t think what poster, what perfect knickknack, what witty doormat would turn my house into my home. I get anxious about it and give up on the whole idea. There is always an excuse to keep myself suspended in this discomfort.

A Fictional Break-Up That Fused with the Past [A Sestina]

 

Through half-closed blinds, the sun

casts tiger-stripe shadows. I watch myself

in the mirror, offering an apology

for how I push you

away. The blinds shiver, make ripples like water

in lines across my skin.

 

Your fingers trace maps on my skin.

Your eyes glimmer in the sun,

two lakes of glacial water.

I tell you I need time for myself

and it offends you.

The lakes freeze, demand apology.

 

Cool rain pours across faces and apologizes

for blurring mascara onto skin.

I stiffen on the sidewalk, thinking I see you.

I’m mistaken, and clouds part for the sun.

It shines consolingly, though I am not myself.

I step in a puddle. My jeans drink the water.

 

My house is not weather-proofed; water

seeps in under foundation. The landlord mutters apology,

spends all day here resealing. My self-

deprecation gets the best of me and I sneak around, skin

tingling, hoping he thinks I’m not home. Spot the sun

glowing hot and painful in the sky. Think of you.

 

That day I couldn’t get away from you.

People on their balconies, sipping bottled water,

watched our angry faces contort in the sun.

You made useless apologies,

you weren’t comfortable in your skin:

“Don’t leave me by myself.”

 

I have never had to be by myself,

so maybe I didn’t understand you.

By now you’ve washed your skin

of me, the scalding shower water

is a sputtering apology.

Droplets, tears evaporate in the sunlight.

 

I don’t need to explain myself. Water

long since renewed you; you don’t beg for apology.

Our skin won’t touch again beneath this sun.

What else should I be?

Didn’t think I was going to blog today…

I was just thinking about Nirvana, since I recently wrote playing Nirvana on guitar on the Ave when I was 15. Unplugged in New York is my favorite Nirvana album, which I’m sure I could be attacked for as absolute blasphemy by diehards. But I think it’s fucking beautiful.

And I was thinking how the lyrics to All Apologies look so simple and meaningless written out. I looked up the lyrics and it looked so flat I was disappointed. That’s the chief difference between song and poetry for me. Poetry won’t look flat and empty on the page. Songs, even beautiful brilliant ones, often do. The way Kurt sings them gives them some other meaning, I can’t get out of my head

What else should I be…all apologies

I am constantly apologizing to myself and everyone else for who I am and who I used to be, or more specifically how I am not the person I used to be. I’m not trying to make this Kurt Cobain fangirl lyrics analysis time. I don’t know that this has anything to do with what Kurt meant by the song. I’m saying how it affects me. None of that “reading comprehension” bullshit, which is all left up to chance anyway.

Everything’s my fault

What else should I write? I don’t have the right.

In the sun I feel as one.

All in all is all we are.

I’ve looked up multiple sources that all seem to agree that that’s the lyric. “All in all is all we are.” I always heard it as “All we know is all we are,” which is so deliciously ironic and perfect for me, having grown up with the doctrine pounded into my head that knowledge is everything. That you are only as good as how much you know. I have recently stopped wanting to know so much.

I don’t want to know anymore.

I want to see and experience and think without being told.

I could probably finish this blog with “more on this later,” because it went somewhere I didn’t know it was going to go.

I wish I was like you…easily amused.